Cultural Diversity, Language, And Culture - 1802 Words

Introduction An enormous scale of migration has resulted to unprecedented stages of diversity in Europe, in particular in Germany, altering societies in fundamental ways and challenging the idea of national identity that is closely held by the host nation. Furthermore, the vast majority of the publics are in great fear, that the shared values and norms that ties communities together will be enfeebled permanently if migrants do not adapt to the host country’s culture, language and its identity. In this particular essay, it would critically examine cultural diversity and the challenges that both parties encounter due to their substantial differences in culture, language values and etc. Challenges of Cultural Diversity The current wave of immigration that have stormed in Europe, especially in Germany has created a tension and an anxiety within the German people. Immigrants are viewed as a threat in the labour market, a threat to the historical heritage of the German people and exploiters of welfare state. As a consequence, migration has extensive effects on the structure of national identity in Germany that bonds communities together (Scherr, A 2014). The vast influx of immigrants presents a greater challenges to those majority who might also be obliged to reconcile a new ethnic and culture perception with their social reality. According to (French 2012, p. 22) illustrates that the collective encoding of the mind that differentiates one particular group from another. InShow MoreRelatedDiversity And Cultural Issues Of Tesol Education1545 Words   |  7 PagesEDUC600 I001 Fall 15 Final Reflection Journal: Diversity and Cultural Issues in TESOL Education During the course entitled Diversity and Cultural Issues in TESOL Education, issues of diversity and culture, as well as methods, strategies, and approaches for engaging English language learners were examined. Students all over the world learn English for a variety of reasons. Some students must study English as a requirement. Other students may wish to travel, study abroad, or work in the global marketplaceRead MoreUnderstanding Cultural Diversity in the United States1161 Words   |  5 Pagesperfect example of cultural diversity. Starting with the Mayflower landing in Massachusetts Bay in 1620, to the Great Migration from 1915 to 1930, to the continual immigration into our country today this country has seen its culture grow and reshape itself over the years. The culture of the United States is diverse but understanding and appreciating various cultures does not always exist within today’s classroom or in today’s society. Understanding or even defining cultural diversity , identifyingRead MoreSouth Africa Essay1004 Words   |  5 Pagesnation with a wonderful and varied culture. This country has been called â€Å"The Rainbow Nation†, a name that reflects the diversity of such amazing place. The different ethnic and cultural groups of the South Africa do, however, appreciate their own beliefs and customs. Many of these traditions, besides African culture, are influenced by European and Western heritage. The complex and diverse population of the country has made a strong impact to the various cultures. There are forty-five million people;Read MoreGlobalization And Its Effects On Culture1087 Words   |  5 PagesGlobalization is commonly examined by simply dissecting its political and economic consequences. As a result, the effects on culture are often overlooked. According to U.S. Census projections, by 2043 non-Hispanic whites will become a minority consisting of 47 percent of the U.S. population (Barreto, et al 1). Examining the world as a whole, a 2015 study by the United Nations Department of Economic and Social Affairs/Population Division found that between 1950-2000, an average of 2.8 million peopleRead MoreThe Government of Canada and Multiculturalism Essay examples1670 Words   |  7 Pagesâ€Å"Multiculturalism† entered public speech in the late 1960s and early 1970s in Canada that focused on unique cultural diversity, nationalities, and ethnicity across the nation. Multiculturalism and Immigration are important factors in the development of Canada to attain a strong multicultural example of economic stability, social and political growth which leads to the emergence of Canada’s identity and culture. 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Educators must take special measures in the delivery of classroom instruction to celebrate the learning and cultural differences of each of their students. As communities and schools continue to grow in diversity, teachers are searching for effective educational programs to accommodate the various learning styles of each student while promoting acceptance of cultural differencesRead MoreThinking About Diversity and Inclusion808 Words   |  4 PagesThinking about diversity and inclusion 1. What are the dimensions of cultural diversity? Identify and briefly explain the dimensions by referencing both textbooks. The dimensions of cultural diversity consist of in the diverse cultures in the world. The diversity is the different race, gender, age, ethical, language, religion, education, and more. The geographic region and the social roll are the result of the cultural diversity in the world. The diversity is variable and depends of the human’sRead More Problems In Intercultural Communication Essay1542 Words   |  7 Pageshave been communicating since four million years. On the other hand, the birth of culture is estimated to have taken place about 35,000 years ago. Today, both culture and communication have evolved considerably and have become interdependent of one another, to the point that communication is considered to be a product of culture. Thus, our own culture has a deep impact on our thoughts and behaviors. Since each culture has its distinct aspects, intercultural communication can be the cause of conflictRead MoreCultural Competency And Social Work Practice1098 Words   |à ‚  5 PagesThe BusinessDictionary.com defines cultural competency as, â€Å"A set of behaviors, policies, and attitudes which form a system or agency which allows cross-cultural groups to effectively work professionally in situations. This includes human behaviors, languages, communications, actions, values, religious beliefs, social groups, and ethic perceptions. Individuals are competent to function on their own and within an organization where multi-cultural situations will be present† (2016). Our communities

Tradition Innovation (History of Architecture) Free Essays

string(46) " see programs in Stierlin 2001, 105, 106 \) \." Tradition A ; Innovation ( history of architecture ) Much great architecture of the yesteryear has proceeded by polishing rigorous conventions without truly oppugning them. A much smaller organic structure of work has moved frontward through extremist invention. Use illustrations to demo ( among other things ) that what appears to be radicalism or preservation is non ever what it seems. We will write a custom essay sample on Tradition Innovation (History of Architecture) or any similar topic only for you Order Now You could follow a sequence in one topographic point ( such as Brunelleshi ‘s Florence or Pericles ‘ Athens ) or run more widely pulling trial instances from assorted times and topographic points. The Athenian Parthenon has captured the imaginativeness for about two and half thousand old ages. Writers frequently speak of it as the finest architectural accomplishment of the Greeks, incarnating the classical values of harmoniousness and restraint, composure, pose and repose, proportion and economic system ( eg Sowerby 1995, 168 ) . However, the Parthenon is simply one of legion edifices completed as portion of the alleged Periclean edifice programme of the 2nd half of the 5th century BC, which can be examined for the manner their designers made usage of tradition and invention. Other edifices, such as the hypostyle Periclean Odeion that owes much to non-Greek Iranian traditions, likely due to their province of saving and less appealing scene, have tended to be sidelined in treatments of this nature, but are of import however. This essay will first discuss invention and tradition in the development the Grecian temple from its beginnings to the mid-fifth century BC and so research invention and tradition in the Periclean edifice programme itself, associating these to the wider context of Grecian temple architecture. For the Greeks, architecture was a term reserved for public and sacred edifices as opposed to private and domestic buildings ( Whitley 2001, 279 ) . Of these public and sacred edifices, the temple is possibly the most well-known and characteristic signifier, which besides incorporated into their programme sculpture, painting and composing ( Richter 1987, 19 ) . Temples possibly developed from the Mycenaean megaron, a rectangular edifice with a columned porch that formed the cardinal edifice of Late Bronze Age castles ( see program in Stierlin 2001, 34 ) but their beginning in early apsidal edifices, such as that of Lefkandi seems more assured ( see program in Johnston 1993, 25 ) . The architectural significance of these edifices is that they make usage of the colonnade, making an outer portico around the cella ( the inside edifice ) and can therefore be described as peristyle or peripteral ( of a temple ) . Presumably this development occurred from the practical concern of roofing th ese big edifices, which besides used an axial colonnade for support, but was retained, going possibly the specifying feature of Grecian temples, surely still seeable in those of much later periods including the Periclean Parthenon. The reversible roof besides led to the creative activity of a pediment, the triangular infinite or gable formed by the roof above the entryway that would be used to border architectural sculpture. An early illustration of such a adorned pediment from the early 6th century BC is from the temple of Artemis on Corfu ( Johnston 1993, 47-48 ) . It is interesting that, for whatever ground, the apsis was non retained in ulterior edifices and alternatively an opisthodomos ( an unfastened room at the dorsum of the temple, sometimes used as a exchequer ) was sometimes present ( for a temple groundplan see Richter 1987, 22 ) . These alterations in layout are shown by the sequence of temples at Thermon between the 9th and late 7th centuries BC ( see program in Stierl in 2001, 42 ) . Thus the development of the temple signifier was one in which tradition and invention can be seen from the beginning. The earlier edifices were non the great marble buildings of ulterior times but were constructed of wood with thatched roofs ( Stierlin 2001, 44 ) . Over clip rock and tile came to replace wood ; sometimes instead than strike harding down a temple and get downing from abrasion, wooden columns would be replaced in situ by rock columns in a procedure known as petrifaction ( Stierlin 2001, 46 ) . The ancient Greek tourer and author Pausanias ( 5.16.1 ) vividly described an ancient oak pillar still in topographic point in the rock temple of Hera at Olympia. Columns of assorted diameters made up of different Numberss of column membranophones can still be seen at this temple, attesting to the ad hoc nature of the temple’s transmutation. Replacing wood with rock besides led to the petrifying in rock of some of the noteworthy architectural characteristics of the wooden temples – fluted columns, triglyphs, dentils, gutae, roof building and coffering for illustration ( see Boardma n 1993, 122 and Richter 1987, 25 for illustrations ; Stierlin 2001, 48 ) . This heterotaxy into rock conserved the signifier of temples that had developed in wood but the act of petrifaction is itself advanced. It might be speculated that rock immortalised the temple and made it a adjustment and lasting place for the God. Before continuing to discourse tradition and invention in the Periclean edifice programme, a few words should be said about the development of the two chief Grecian orders, the Doric and Ionic ( see comparative illustrations in Stierlin 2001, 49-50 ) as these are cardinal to understanding the development of the Acropolis. The Doric order developed in the Grecian mainland and Greek southern Italy and Sicily and is typified by broader columns without bases, tapering towards the top, heavier entablature with jumping triglyphs and metopes, the latter sometimes with carven ornament ( Stierlin 2001, 52 ) . A hexastyle ( sic column ) facade was usual. The Ionic order developed subsequently ( c590BC ) in Grecian Asia Minor. Columns were more slender, had moulded bases and were non markedly tapered. The capital had two spiral-scroll spirals and the lighter entablature was non broken into triglyphs/metope form, leting uninterrupted ornament. From the groundplans, Ionic temples, such as that of Heraion at Samos and Artemision of Ephesus besides appear more hypostyle than peristyle, holding two ( dipteral ) rows of columns instead than the Doric one and frequently with an octostyle ( eight column ) frontage ( see programs in Stierlin 2001, 105, 106 ) . You read "Tradition Innovation (History of Architecture)" in category "Essay examples" The two orders have been contrasted as masculine, knee bend, unsmooth and feminine, elegant and refined severally ( Stierlin 2001, 49 ) and at the clip of the Periclean edifice programme were ‘still basically distinguishable regional styles’ ( Rhodes 1995, 54 ) . The Periclean temple to Athena Parthenos, or Parthenon, was built between 447 and 438BC by the designers Iktinos and Kallikrates and the sculpturer Phidias, and formed the centerpiece of the edifice programme of the political leader Pericles ( Stierlin 2001, 183 ) . This programme sought to laud Athens and in the instance of the Acropolis, to retrace the temples burned by the Persians in the early 5th century BC. It has been said to tag ‘the flood tide of the Doric style’ for the harmoniousness of its proportions, the polishs in its construction and its sculptural ornaments ( Richter 1987, 33 ) . However, in comparing to the somewhat earlier temple of Zeus at Olympia ( finished about 460BC ) , we can see that while the latter is about strictly Doric in manner, ‘the Parthenon’s signifier and spirit partakes liberally of the Ionic’ ( Rhodes 1995, 74 ) . This combination of Doric and Ionic can clearly be seen on a groundplan ( eg Stierlin 2001, 191 ) , w hich reveal an octostyle peripteral Doric portico ( 8 by 17 columns ) , instead than a Doric hexastyle, while six more slender Doric columns behind the octostyle frontages suggest a dipteral colonnade, an Ionic characteristic. The cella was divided into two suites, a smaller western room, the Hall of the Virgins and the eastern naos that housed the statue of the Athena, both approached from the exterior and non connected. The Hall of the Virgins contained four Ionic columns while the naos was divided into three naves by a overlying Doric colonnade following the walls and returning behind the statue, a first in temple architecture ( Rhodes 1995, 87 ) . Of class the usage of an Ionic frieze around the cella should non be overlooked. The Parthenon seems advanced in its deliberate commixture of Doric and Ionic elements ( Rhodes 1995, 146 ) . However, some of these elements that may look advanced can be found elsewhere and on much earlier temples. For illustration, the 6th century Doric peripteral temple of Artemis on Corfu had an octostyle facade and the same proportion of columns ( 8 by 17 ) as the mid-fifth century Parthenon, every bit good as two rows of columns in the cella ( Lawrence1996, 77 ) . The temple of Athena at Paestum in southern Italy is a Doric hexastyle temple of around 510BC but the interior portico utilizations eight Ionic columns in an Ionic agreement ( Stierlin 2001, 74 ; see program in Richter 1987, 30 ) . It was besides noted that the Parthenon made usage of overlying porticoes in the naos ( see Reconstruction in Boardman 1993, 118 ) . These were besides used in the modern-day 2nd temple of Hera at Paestum ( 460-440BC ) and Stierlin suggested that in the instance of the latter they may hold been used as a deliberate archaizing component, mentioning to the temple of Aphaia on Aegina, built around 500BC ( Stierlin 2001, 79 ; comparison exposures in Stierlin 2001, 78 and 148 ) . In a needfully ( to suit the expansive statue of Athena ) broad temple like the Parthenon, 30.88m at the stylobate, they may hold been more practical every bit good as attractive. It can so be seen that while the Parthenon may be advanced in the context of mainland Greek temples, there are analogues in the Grecian temples of southern Italy and Sicily that provide case in points for blending Doric and Ionic characteristics ( Rhodes 1995, 198n12 ) every bit good as characteristics from Archaic temples on Corfu and Aegina. The frequently discussed architectural polish of the curvature or splaying of the Parthenon was besides a traditional Doric solutions to drainage, although in the Parthenon it succeeds in forestalling the temple from looking knee bend ( Rhodes 1995, 74 ) . The chief factor in the l ayout of the Parthenon was in fact the older temple that it replaced, instead than any genuinely fresh programs. The designers of the Parthenon did non work in isolation but in a cultural and lingual zone stretching from Italy to Cyprus, with mainland Greece in the center and while the Parthenon is every bit alone as every Grecian temple it may be said to hold incorporated traditional inventions in a traditional manner. Traveling on to see briefly two other Periclean edifices on the Acropolis, the Erechtheion and the Propylaia, the Erechtheion, ceremonially the most of import edifice of the Acropolis, is a existent invention in the sense that instead than being a canonical temple, it is fitted to the mythic and physical landscape of the Acropolis. As such, it was constructed on two degrees, though with three different roof degrees, and incorporated the cults of Athena in the east cella, and Poseidon-Erechtheus in the West cella and north porch ( Rhodes 1995, 131-36 ) . The Erechtheion is Ionic in its columns and friezes and provides a complement to the Parthenon with its human-shaped Karyatid columns following a hundred twelvemonth old Ionic tradition begun by the Siphnian Treasury at Delphi ( Stierlin 2001, 208 ) . The Propylaia, or gateway to the Acropolis foreshadowed this balance once more by integrating both traditional Doric hexastyle outside combined with an internal Ionic colonnade. Rhodes s ays of its designer: ‘Mnesikles’ greatest part to the history and way of Grecian architecture was likely his vision of Doric and Ionic as equal constituents of a greater Grecian architecture’ ( 1995, 73 ) . It is possible that in a sense the Parthenon is more important to its modern adorants than its builders and that there is a desire to warrant this by mention to invention. Grecian temples were built non on subjective rules of aesthetic beauty but on mathematical and spiritual rules of harmoniousness and temples that reflected a peculiar harmoniousness were successful ( Stierlin 2001, 64-74 ) . The Periclean edifice programme did non radically innovate from a inactive or dead tradition: the edifices examined above surely did unite many elements to accomplish their alone purposes but so no two Grecian temples were of all time the same. Throughout their 1000 plus twelvemonth history, Grecian temple edifices and their builders combined traditional elements with limited inventions that by and large belonged to the temple edifice tradition guided by the rules of harmoniousness –a temple should be temple, after all. Bibliography Boardman, J. 1993. ‘The Classical Period’ , in Boardman, J. ( ed. ) 1993.The Oxford History of Classical Art.Oxford: Oxford University Press, 83-150. Johnston, A. 1993. ‘Pre-Classical Greece’ , in Boardman, J. ( ed. ) 1993.The Oxford History of Classical Art.Oxford: Oxford University Press, 11-82. Lawrence, A.W. and Tomlinson, R.A. 1996.Grecian Architecture.( 5Thursdayedition, Pelican History of Art ) . New Haven and London: Yale University Press. Rhodes, R.F. 1995.Architecture and Meaning on the Acropolis.Cambridge: Cambridge University Press. Richter, G.M.A. 1987.A Handbook of Greek Art.( 9Thursdayedition ) . Oxford: Phaidon. Sowerby, R. 1995.The Greeks.London: Routledge. Stierlin, H. 2001.Greece from Mycenae to the Parthenon.Koln: Taschen. Whitley, J. 2001.The Archaeology of Ancient Greece.Cambridge: Cambridge University Press. How to cite Tradition Innovation (History of Architecture), Essay examples Tradition Innovation (history of architecture) Free Essays string(46) " see programs in Stierlin 2001, 105, 106 \) \." Tradition A ; Innovation ( history of architecture ) Much great architecture of the yesteryear has proceeded by polishing rigorous conventions without truly oppugning them. A much smaller organic structure of work has moved frontward through extremist invention. Use illustrations to demo ( among other things ) that what appears to be radicalism or preservation is non ever what it seems. We will write a custom essay sample on Tradition Innovation (history of architecture) or any similar topic only for you Order Now You could follow a sequence in one topographic point ( such as Brunelleshi ‘s Florence or Pericles ‘ Athens ) or run more widely pulling trial instances from assorted times and topographic points. The Athenian Parthenon has captured the imaginativeness for about two and half thousand old ages. Writers frequently speak of it as the finest architectural accomplishment of the Greeks, incarnating the classical values of harmoniousness and restraint, composure, pose and repose, proportion and economic system ( eg Sowerby 1995, 168 ) . However, the Parthenon is simply one of legion edifices completed as portion of the alleged Periclean edifice programme of the 2nd half of the 5th century BC, which can be examined for the manner their designers made usage of tradition and invention. Other edifices, such as the hypostyle Periclean Odeion that owes much to non-Greek Iranian traditions, likely due to their province of saving and less appealing scene, have tended to be sidelined in treatments of this nature, but are of import however. This essay will first discuss invention and tradition in the development the Grecian temple from its beginnings to the mid-fifth century BC and so research invention and tradition in the Periclean edifice programme itself, associating these to the wider context of Grecian temple architecture. For the Greeks, architecture was a term reserved for public and sacred edifices as opposed to private and domestic buildings ( Whitley 2001, 279 ) . Of these public and sacred edifices, the temple is possibly the most well-known and characteristic signifier, which besides incorporated into their programme sculpture, painting and composing ( Richter 1987, 19 ) . Temples possibly developed from the Mycenaean megaron, a rectangular edifice with a columned porch that formed the cardinal edifice of Late Bronze Age castles ( see program in Stierlin 2001, 34 ) but their beginning in early apsidal edifices, such as that of Lefkandi seems more assured ( see program in Johnston 1993, 25 ) . The architectural significance of these edifices is that they make usage of the colonnade, making an outer portico around the cella ( the inside edifice ) and can therefore be described as peristyle or peripteral ( of a temple ) . Presumably this development occurred from the practical concern of roofing th ese big edifices, which besides used an axial colonnade for support, but was retained, going possibly the specifying feature of Grecian temples, surely still seeable in those of much later periods including the Periclean Parthenon. The reversible roof besides led to the creative activity of a pediment, the triangular infinite or gable formed by the roof above the entryway that would be used to border architectural sculpture. An early illustration of such a adorned pediment from the early 6th century BC is from the temple of Artemis on Corfu ( Johnston 1993, 47-48 ) . It is interesting that, for whatever ground, the apsis was non retained in ulterior edifices and alternatively an opisthodomos ( an unfastened room at the dorsum of the temple, sometimes used as a exchequer ) was sometimes present ( for a temple groundplan see Richter 1987, 22 ) . These alterations in layout are shown by the sequence of temples at Thermon between the 9th and late 7th centuries BC ( see program in Stierl in 2001, 42 ) . Thus the development of the temple signifier was one in which tradition and invention can be seen from the beginning. The earlier edifices were non the great marble buildings of ulterior times but were constructed of wood with thatched roofs ( Stierlin 2001, 44 ) . Over clip rock and tile came to replace wood ; sometimes instead than strike harding down a temple and get downing from abrasion, wooden columns would be replaced in situ by rock columns in a procedure known as petrifaction ( Stierlin 2001, 46 ) . The ancient Greek tourer and author Pausanias ( 5.16.1 ) vividly described an ancient oak pillar still in topographic point in the rock temple of Hera at Olympia. Columns of assorted diameters made up of different Numberss of column membranophones can still be seen at this temple, attesting to the ad hoc nature of the temple’s transmutation. Replacing wood with rock besides led to the petrifying in rock of some of the noteworthy architectural characteristics of the wooden temples – fluted columns, triglyphs, dentils, gutae, roof building and coffering for illustration ( see Boardma n 1993, 122 and Richter 1987, 25 for illustrations ; Stierlin 2001, 48 ) . This heterotaxy into rock conserved the signifier of temples that had developed in wood but the act of petrifaction is itself advanced. It might be speculated that rock immortalised the temple and made it a adjustment and lasting place for the God. Before continuing to discourse tradition and invention in the Periclean edifice programme, a few words should be said about the development of the two chief Grecian orders, the Doric and Ionic ( see comparative illustrations in Stierlin 2001, 49-50 ) as these are cardinal to understanding the development of the Acropolis. The Doric order developed in the Grecian mainland and Greek southern Italy and Sicily and is typified by broader columns without bases, tapering towards the top, heavier entablature with jumping triglyphs and metopes, the latter sometimes with carven ornament ( Stierlin 2001, 52 ) . A hexastyle ( sic column ) facade was usual. The Ionic order developed subsequently ( c590BC ) in Grecian Asia Minor. Columns were more slender, had moulded bases and were non markedly tapered. The capital had two spiral-scroll spirals and the lighter entablature was non broken into triglyphs/metope form, leting uninterrupted ornament. From the groundplans, Ionic temples, such as that of Heraion at Samos and Artemision of Ephesus besides appear more hypostyle than peristyle, holding two ( dipteral ) rows of columns instead than the Doric one and frequently with an octostyle ( eight column ) frontage ( see programs in Stierlin 2001, 105, 106 ) . You read "Tradition Innovation (history of architecture)" in category "Essay examples" The two orders have been contrasted as masculine, knee bend, unsmooth and feminine, elegant and refined severally ( Stierlin 2001, 49 ) and at the clip of the Periclean edifice programme were ‘still basically distinguishable regional styles’ ( Rhodes 1995, 54 ) . The Periclean temple to Athena Parthenos, or Parthenon, was built between 447 and 438BC by the designers Iktinos and Kallikrates and the sculpturer Phidias, and formed the centerpiece of the edifice programme of the political leader Pericles ( Stierlin 2001, 183 ) . This programme sought to laud Athens and in the instance of the Acropolis, to retrace the temples burned by the Persians in the early 5th century BC. It has been said to tag ‘the flood tide of the Doric style’ for the harmoniousness of its proportions, the polishs in its construction and its sculptural ornaments ( Richter 1987, 33 ) . However, in comparing to the somewhat earlier temple of Zeus at Olympia ( finished about 460BC ) , we can see that while the latter is about strictly Doric in manner, ‘the Parthenon’s signifier and spirit partakes liberally of the Ionic’ ( Rhodes 1995, 74 ) . This combination of Doric and Ionic can clearly be seen on a groundplan ( eg Stierlin 2001, 191 ) , w hich reveal an octostyle peripteral Doric portico ( 8 by 17 columns ) , instead than a Doric hexastyle, while six more slender Doric columns behind the octostyle frontages suggest a dipteral colonnade, an Ionic characteristic. The cella was divided into two suites, a smaller western room, the Hall of the Virgins and the eastern naos that housed the statue of the Athena, both approached from the exterior and non connected. The Hall of the Virgins contained four Ionic columns while the naos was divided into three naves by a overlying Doric colonnade following the walls and returning behind the statue, a first in temple architecture ( Rhodes 1995, 87 ) . Of class the usage of an Ionic frieze around the cella should non be overlooked. The Parthenon seems advanced in its deliberate commixture of Doric and Ionic elements ( Rhodes 1995, 146 ) . However, some of these elements that may look advanced can be found elsewhere and on much earlier temples. For illustration, the 6th century Doric peripteral temple of Artemis on Corfu had an octostyle facade and the same proportion of columns ( 8 by 17 ) as the mid-fifth century Parthenon, every bit good as two rows of columns in the cella ( Lawrence1996, 77 ) . The temple of Athena at Paestum in southern Italy is a Doric hexastyle temple of around 510BC but the interior portico utilizations eight Ionic columns in an Ionic agreement ( Stierlin 2001, 74 ; see program in Richter 1987, 30 ) . It was besides noted that the Parthenon made usage of overlying porticoes in the naos ( see Reconstruction in Boardman 1993, 118 ) . These were besides used in the modern-day 2nd temple of Hera at Paestum ( 460-440BC ) and Stierlin suggested that in the instance of the latter they may hold been used as a deliberate archaizing component, mentioning to the temple of Aphaia on Aegina, built around 500BC ( Stierlin 2001, 79 ; comparison exposures in Stierlin 2001, 78 and 148 ) . In a needfully ( to suit the expansive statue of Athena ) broad temple like the Parthenon, 30.88m at the stylobate, they may hold been more practical every bit good as attractive. It can so be seen that while the Parthenon may be advanced in the context of mainland Greek temples, there are analogues in the Grecian temples of southern Italy and Sicily that provide case in points for blending Doric and Ionic characteristics ( Rhodes 1995, 198n12 ) every bit good as characteristics from Archaic temples on Corfu and Aegina. The frequently discussed architectural polish of the curvature or splaying of the Parthenon was besides a traditional Doric solutions to drainage, although in the Parthenon it succeeds in forestalling the temple from looking knee bend ( Rhodes 1995, 74 ) . The chief factor in the l ayout of the Parthenon was in fact the older temple that it replaced, instead than any genuinely fresh programs. The designers of the Parthenon did non work in isolation but in a cultural and lingual zone stretching from Italy to Cyprus, with mainland Greece in the center and while the Parthenon is every bit alone as every Grecian temple it may be said to hold incorporated traditional inventions in a traditional manner. Traveling on to see briefly two other Periclean edifices on the Acropolis, the Erechtheion and the Propylaia, the Erechtheion, ceremonially the most of import edifice of the Acropolis, is a existent invention in the sense that instead than being a canonical temple, it is fitted to the mythic and physical landscape of the Acropolis. As such, it was constructed on two degrees, though with three different roof degrees, and incorporated the cults of Athena in the east cella, and Poseidon-Erechtheus in the West cella and north porch ( Rhodes 1995, 131-36 ) . The Erechtheion is Ionic in its columns and friezes and provides a complement to the Parthenon with its human-shaped Karyatid columns following a hundred twelvemonth old Ionic tradition begun by the Siphnian Treasury at Delphi ( Stierlin 2001, 208 ) . The Propylaia, or gateway to the Acropolis foreshadowed this balance once more by integrating both traditional Doric hexastyle outside combined with an internal Ionic colonnade. Rhodes s ays of its designer: ‘Mnesikles’ greatest part to the history and way of Grecian architecture was likely his vision of Doric and Ionic as equal constituents of a greater Grecian architecture’ ( 1995, 73 ) . It is possible that in a sense the Parthenon is more important to its modern adorants than its builders and that there is a desire to warrant this by mention to invention. Grecian temples were built non on subjective rules of aesthetic beauty but on mathematical and spiritual rules of harmoniousness and temples that reflected a peculiar harmoniousness were successful ( Stierlin 2001, 64-74 ) . The Periclean edifice programme did non radically innovate from a inactive or dead tradition: the edifices examined above surely did unite many elements to accomplish their alone purposes but so no two Grecian temples were of all time the same. Throughout their 1000 plus twelvemonth history, Grecian temple edifices and their builders combined traditional elements with limited inventions that by and large belonged to the temple edifice tradition guided by the rules of harmoniousness –a temple should be temple, after all. Bibliography Boardman, J. 1993. ‘The Classical Period’ , in Boardman, J. ( ed. ) 1993.The Oxford History of Classical Art.Oxford: Oxford University Press, 83-150. Johnston, A. 1993. ‘Pre-Classical Greece’ , in Boardman, J. ( ed. ) 1993.The Oxford History of Classical Art.Oxford: Oxford University Press, 11-82. Lawrence, A.W. and Tomlinson, R.A. 1996.Grecian Architecture.( 5Thursdayedition, Pelican History of Art ) . New Haven and London: Yale University Press. Rhodes, R.F. 1995.Architecture and Meaning on the Acropolis.Cambridge: Cambridge University Press. Richter, G.M.A. 1987.A Handbook of Greek Art.( 9Thursdayedition ) . Oxford: Phaidon. Sowerby, R. 1995.The Greeks.London: Routledge. Stierlin, H. 2001.Greece from Mycenae to the Parthenon.Koln: Taschen. Whitley, J. 2001.The Archaeology of Ancient Greece.Cambridge: Cambridge University Press. How to cite Tradition Innovation (history of architecture), Essay examples

Seven Eleven Case Study free essay sample

A convenience store chain attempts to be responsive and provide customers what they need, when they need it, where they need it. What are some different ways that a convenience store supply chain can be responsive? What are some risks in each case? As responsiveness increases, the convenience store chain is exposed to greater uncertainty. A convenience store chain can improve responsiveness to this uncertainty using one of the following strategies, especially for fresh and fast foods: Method for ResponsivenessRisk of Method Integrated information systemsIncompatible systems, systems not completely integrated, but â€Å"piecemeal†, and breakdowns. Additional capacity (manufacturing, DCs, retail stores)Over-investment in capacity, underutilized capacity Increased safety inventoryAdditional inventory carrying costs Increased number of deliveries/ Rapid ReplenishmentIncreased transportation costs, Increased replenishment cost, Increased receiving cost Increased product variety and availabilityAdditional inventory carrying costs 2. Seven-Eleven’s supply chain strategy in Japan can be described as attempting to micro-match supply and demand using rapid replenishment. What are some risks associated with this choice? The greatest risk occurs when the supply and demand are not matched, and inventory excesses and shortages occur. We also know that forecasts are most accurate for aggregate products, compared to the SKU level, making forecast accuracy absolutely crucial to micro-matching supply and demand. However, their information ordering and replenishment systems can respond quickly to changes in customer demand to account for forecast errors. This physical rapid response capability, however, also increases the risk of excess or insufficient capacity (capacity fluctuations), and additional transportation costs. 3. What has Seven-Eleven done in its choice of facility location, inventory management, transportation, and information infrastructure to develop capabilities that support its supply chain strategy in Japan? Facility location: Seven-Eleven places its stores in â€Å"clusters† that are supported by a single distribution center. Inventory management: They have dedicated manufacturing plants to produce fast food, and classify inventory according to 4 separate categories to assist in transportation. Although related to their information system, they manage inventory through their graphic order terminal and receive inventory using the scanner terminal. Their POS register also tracks inventory at a very detailed level. They also manage deliveries to match demand by time of day (e. g. inner items delivered just before dinner time). Transportation ( distribution): Taking advantage of clustering stores around DCs allows Seven-Eleven to provide efficient and responsive deliveries to their stores. They use a â€Å"combined delivery system† in which single temperature-controlled trucks delivery one category of food to multiple stores. They also make deliveries during off-peak hours (al though what is meant by â€Å"off-peak† is not defined). They also reduce delivery time by using the scanner terminal. The DCs do not carry inventory, but are really cross docking facilities. Information: The information is a key to each of the above drivers. Information is used to manage inventory and coordinate deliveries – from manufacturing to DC to the retail store. The ISDN system consists of four major components: graphic order terminal, scanner terminal, store computer, and POS register. The system uses a graphic order terminal to not only track and analyze POS data and place orders with vendors and the DC, but is also used to determine when to convert shelf space from slow moving to fast moving items. The scanner terminal improves the efficiency of the delivery process. The store computer, linked to the ISDN network, communicates among the various input sources to track inventory, sales, orders, and so on. Finally, the POS register keeps up to date information on customer sales and demographic information (gender, age). In summary, the information system is used to â€Å"driver the drivers†, bringing together all the information necessary to manage facilities, transportation, manufacturing, and distribution. 4. Seven-Eleven does not allow direct store delivery in Japan but has all products flow through its distribution center. What benefit does Seven-Eleven derive from this policy? When is direct store delivery more appropriate? Benefits: The benefits of this policy is coordination, flexibility, responsiveness, and managing fewer relationships – retail stores do not have to each work with vendors, but only the DC. Direct store delivery is more appropriate for the 7dream delivery concept. For Seven-Eleven Japan, it seems that direct store delivery would not be appropriate unless one store, in serving the local preferences, sold an item with high demand uncertainty that was not sold in any other stores. It may also be appropriate for an emergency shipment or unique â€Å"one-time† items that are heavy or bulky. . What do you think about the 7dream concept for Seven-Eleven Japan? From a supply chain perspective, is it likely to be more successful in Japan or the United States? Why? The 7dream concept is fresh and creative. We think this is likely to be more successful in Japan because the Seven-Eleven store network is not as dense as in the U. S. Als o, it appears that Seven-Eleven Japan attracts a different type of customer. Although we can only speculate, We would be concerned about the security of packages in a Seven-Eleven store in the U. S. , preferring a home delivery even if you were not at home. After all, that’s the appeal of e-commerce. 6. Seven-Eleven is attempting to duplicate the supply chain structure that has succeeded in Japan in the United States with the introduction of CDCs (combined distribution center). What are the pros and cons of this approach? Keep in mind that stores are also replenished by wholesalers and DSD (direct store delivery) by manufacturers. The â€Å"pros† of this approach are illustrated by the success of this concept in Japan: highly responsive system that has increased its efficiency through the use of information. They are able to effectively match supply and demand. The cons of this approach in the U. S. stem from the geographic dispersion of Seven-eleven stores. The fact that stores are not as clustered as in Japan will impede the responsiveness that is a cornerstone of Seven-Eleven Japan. Because DSD is also used, there is more coordination required in the U. S. and more relationships to manage. The CDCs may also be forced into holding some level of inventory because of the lack of clustering in the U. S. , resulting in lower performance than that in Japan. If the CDCs become more of a distribution center than a cross docking operation, their strategic advantage is lost, and the investment may not have been worth it. An additional downside is the outbound costs, which could be quite high depending on the number of stores served. 7. The United States has food service distributors that also replenish convenience stores. What are the pros and cons to having a distributor replenish convenience stores versus a company like Seven-Eleven managing its own distribution function? Pros: The largest benefit of having a distributor replenish the store is that they don’t have to invest in DCs or trucks to perform this task. Cons: The downside is the lack of control and the increased number of relationships that must be managed at the store level. Responsiveness may also not be as great. Some store managers will be more adept at managing these relationships than others, and service levels will not be consistent among the stores. This also creates more potential problems for upper management in overseeing the franchises to ensure consistent customer service.